Reading Robin Evans, In Front of Lines That Leaves Nothing Behind
Architects draw. They
draw and they represent things. A representation project is an Architectural
project. Every act of ‘Drawing to Building’ is process of translation and every
time the translation occurs it results in certain misreadings. Misreadings of
Form, space and representation.
To truly understand architecture one must
understand its drawing. A building distances itself from its creator, it
becomes an allographic project. The autographic project is the one when
architect engages with the act of drawing.
A drawing is
projective, it is speculative. Buildings are ephemeral, drawings are not. So a
drawing is the Architecture. ‘A
drawing emerges not only through a coherent organisation between mind and hand
but also by the technology it engages with. According to Marshall McLuhan, when
a new medium appears, it does its best to simulate the preceding one before it
inevitably succeeds it.
Every new technology destabilizes the practice before
it. It alters the relation between mind, hand and the technical. It is
essential to look at these deconstruction possibilities which the new tools
allow us for.
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